Showing posts with label progressive rock. Show all posts
Showing posts with label progressive rock. Show all posts

21 May 2021

Album #2, Recording Day 1

Eight years and 7 months ago, I set foot for the first time in a professional recording studio (that journey began here).  The Twenty Committee's first album, A Lifeblood Psalm, (check the sidebar) was recorded in the space of two weeks at Radiant Studios in Nashville, and released in 2013.  The drum work you hear on that album is almost entirely the result of one take, recorded live in the space of several hours on that first day as we were laying down scratch tracks.  The other instruments, with the exception of Geoff's keyboards, were all recorded each in a 10-12 hour day.  While we remain deeply proud of that first effort, we are looking forward to a more mature approach to fleshing out these tunes by building them properly, from the ground up, tracking the drums over several days, and then bringing the files home to overdub each instrument in turn.


Today, we began the process, this time with Rave Tesar of Renaissance at the helm.  I think he was excited to start the process, since he told us the night we arrived that he was going to "stay up all night" to get Joe's drums mic-ed and ready for the first session.  Jeff streamlined the process in advance by quantizing practice recordings of all the new tunes and setting them to click tracks (he may have aged several years in the process).  I don't know how we could possibly have worked these complex tunes out with any degree of tempo consistency without that work done prior to rolling the tape.  Even still, there were still some strange moments we needed to work out in the moment, or plan for overdubbing later.

We spent half the day (from 10-3) getting set up.  Anything with a speaker was set up and mic-ed in a separate room for sound insulation.  Geoff's keyboard station was with Rave in the control room.  Once all mics, DIs, and cables were checked, we sounded in each instrument and then established headphone mixes for monitoring purposes.  We took our lunch break standing up, just before hitting record for the first time.  The final take of the day wrapped up around 10:00.

We recorded 5 tunes today in total, each with three takes apiece.  The working titles are "Embers," "Robot Death," "Forevermore," "Star in the Eye," and "Sparks in the Mind (You Wasted Life)" -- all subject to change.  Some of these songs we've been playing/working for years.  Others, we literally were making changes to as of our last practice before this weekend.  We have two monster tunes left to do tomorrow, each broken into 3 parts.  These epics are the most complex numbers on the album in terms of arrangement, tempo variation, and nuance, so we anticipate putting another 12 hours into them -- again, with the primary intent being to walk away with drum mixes (and bass too, if possible).

Rave is a skilled musician and producer.  We are deeply grateful for the expertise, equipment, time, and eagerness he is bringing to the project, not to mention his anecdotes between takes.

Exhausted, but pleased, I close this post by delivering to you these quotable moments of the day:

"We all know that all good music is based off of the kick drum." - Rave

"Are you playing guess the guitar sound?" - Geoff

"Rave, if I open this box labeled 'Rave Miscellaneous,' will there be internal organs?" - Geoff

"There's one thing you'll never hear a Russian say..." - Rave

"Drum plop!" - the band

"Follow the click, not the lick." - Joe

"That's the warmth of my sincerity." - Jeff


11 July 2016

Reviews, Pt. 10

Part 1 -- Part 2 -- Part 3 -- Part 4 -- Part 5 -- Part 6 -- Part 7 -- Part 8 -- Part 9
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Next on the playlist!

Here are the album reviews I've written since the middle of April.  As usual, clicking on the album covers will take you to the band's music where you can listen to and/or download the album in full.  The hyperlinks will take you to my reviews.

~*~


Knifeworld - Bottled Out of Eden (UK)
[PROG Mind / Tollbooth]

A challenging piece of multilayered writing, Bottled Out of Eden contains all the dynamic intensity and unpredictability that has carved such a unique niche in the progressive rock arena for Knifeworld’s music.


Starchitect - Results (Ukraine)

Results is a rough entry in the nebulous catalogue of modern post-metal.

Monster Killed By Laser - Hunched & Twined (UK)

Hunched & Twined: really cool, superfluous, psychedelic prog presented in four-minute increments or less.

The Rube Goldberg Machine - Fragile Times (UK)

RGM’s work is subtle, nuanced creativity, taking cues from the likes of Steven Wilson while still maintaining a strong individualistic approach to songwriting.
Big Big Train - Folklore (UK)
[PROG Mind / Tollbooth]

Folklore has energy, melody, nuance, and character, and it’s certainly a candidate for best album of 2016.

Jon Anderson & Roine Stolt - The Invention of Knowledge (UK, Sweden)
[PROG Mind / Tollbooth]

The Invention of Knowledge is a mature distillation of its writers’ individual, remarkable craftsmanship.

14 April 2016

Reviews, Part 9

Part 1 -- Part 2 -- Part 3 -- Part 4 -- Part 5 -- Part 6 -- Part 7 -- Part 8
______________________________________________________

Next on the playlist!

Here are the album reviews I've written since the beginning of February.  As usual, clicking on the album covers will take you to the band's music where you can listen to and/or download the album in full.  The hyperlinks will take you to my reviews.

~*~


Godsticks - Emergence (UK)
[PROG MindTollbooth]

The UK metal band’s third studio-length release, Emergence is a polished album, showcasing more of the quality music that Godsticks is dedicated to writing.
Bruce Soord - Bruce Soord (UK)
[PROG MindTollbooth]

Bruce Soord’s self-titled solo debut blends a singer-songwriter mantra with art rock, electronica, and ambience.
Aunt Mary - New Dawn (Norway)

Aunt Mary’s first original studio project since 1973 struggles with self-identity.
Ed Bernard - Polydactyl (Canada)
[PROG MindTollbooth]

Polydactyl is a strong showcase of Ed Bernard’s mature musicianship, caliber of songwriting, and clear musical vision.


The Barstool Philosophers - Crossing Over (The Netherlands)
[PROG Mind / Tollbooth]

Crossing Over waxes eloquent both lyrically and instrumentally, combining atmospheric elements with a strong metal vibe.



Davina & The Vagabonds - Sunshine (USA)

Alternative, Americana, New Orleans, blues, and – of course – jazz, all presented by one charismatic, modern big band.









05 February 2016

Reviews, Part 8

Part 1 -- Part 2 -- Part 3 -- Part 4 -- Part 5 -- Part 6 -- Part 7 -- Part 9
______________________________________________________

Next on the playlist!

Here are the album reviews I've written since October.  As usual, clicking on the album covers will take you to the band's music where you can listen to and/or download the album in full.  The hyperlinks will take you to my reviews.

Lots of USA prog this round, and a couple of local East Coast bands for me as well!

~*~

Flying Colors - Second Flight: Live at the Z7 (USA)
[PROG Mind / Tollbooth]

Raw, precise, and inspiring, Second Flight: Live at the Z7 is yet another taste of the virtuosity that Morse, Morse, Portnoy, LaRue, and McPherson provide for Flying Colors.

Advent - Silent Sentinel (USA)
[PROG Mind / Tollbooth]

Silent Sentinel is the inspiring and anthemic third release from a mature band now well into its second decade.

3RDegree - Ones & Zeroes: Volume 1 (USA)

3RDegree’s first album in three years (their fifth overall) is a heavy-hitting, well-rounded, and mature addition to their discography.

See also: Interview with Rob and Pat

The Tea Club - Grappling (USA)
[PROG Mind / Tollbooth]

Grappling succeeds Quickly, Quickly, Quickly as another refined work in The Tea Club’s expanding library.


Unified Past - Shifting the Equilibrium (USA)
[PROG Mind / Tollbooth]

The symphonic metal band’s seventh album adds another notch to the rockers’ belt and a new lead singer to their roster… but not much more.
Rick Miller - Breaking Point (Canada)
[PROG Mind / Tollbooth]

Another release in a long sequence of albums, Breaking Point is Rick Miller’s newest foray into psychedelic progressive rock.

07 October 2015

Reviews, Part 7

Part 1 -- Part 2 -- Part 3 -- Part 4 -- Part 5 -- Part 6 -- Part 8 -- Part 9
______________________________________________________

Next on the playlist!

Here are the album reviews I've written since July.  As usual, clicking on the album covers will take you to the band's music where you can listen to and/or download the album in full.  The hyperlinks will take you to my reviews.

In other now-belated news, I have officially joined Jason Spencer as a contributor to his website, The PROG Mind, a site devoted specifically to a more thematic discussion of music (not simply cursory reviews).  I'm excited to devote my attention specifically to progressive rock (which I've always tended to do anyway) and also focus on the deeper nuances of what I'm listening to (which I've, uh, always tended to do anyway).  I'll still be posting to The Phantom Tollbooth, but The PROG Mind will be a better venue for writing about the obscure music I'm passionate about and actually have the content reach other fans.

~*~


Corvus Stone - Unscrewed (Finland)

Unscrewed maintains the quirky, self-aware, musical satire that characterizes the band’s previous material, and is a collection of radically transformed tracks from Corvus Stone I and II.
Maddison's Thread - Maddison's Thread (UK)

Maddison’s Thread is a strong, mature debut: an old soul wrapped in deceptively modern packaging.

Barock Project - Skyline (Italy)

The stellar, 70's-progressive-style fourth album from Barock Project.



Andrew Peterson - The Burning Edge of Dawn (USA)

Andrew Peterson’s 11th studio release is yet another solid record – a lush and reverent celebration of the work that God is still doing.


11 July 2015

Reviews, Part 6

Part 1 -- Part 2 -- Part 3 -- Part 4 -- Part 5 -- Part 7 -- Part 8 -- Part 9
______________________________________________________

Next on the playlist!

Here are the album reviews I've written since February.  As usual, clicking on the album covers will take you to the band's music where you can listen to and/or download the album in full.  The hyperlinks will take you to my reviews.

~*~

Hasse Fröberg Musical Companion - HFMC - (Sweden)

Of the three Musical Companion releases to date, HFMC is undoubtedly the most mature as well as the most cohesive, and currently stands as my pick for best album of 2015.

Corvus Stone - Corvus Stone II (Finland)

Corvus Stone II is an eclectic collection of songs from an eclectic combination of musicians, a varying journey through elements of funk, jazz, psychedelic rock, and Canterbury prog.


Big Big Train - Wassail (UK)

Wassail is a solid EP, foreshadowing Big Big Train’s forthcoming material.  This is just another bite-sized portion of the band’s stylistic craft, enough to keep fellow “passengers” whistling for a while longer as we wait for the Train to once again depart the station.
Rocket Scientists - Refuel (USA)

Refuel is a story that is as much autobiographical as it is universal: a tale of journeying, persevering, and wondering just when the time disappeared.  It is rich and ambitious, focused but complex, and another quality release from this trio of dedicated musicians.

19 February 2015

Reviews, Part 5

Part 1 -- Part 2 -- Part 3 -- Part 4 -- Part 6 -- Part 7 -- Part 8 -- Part 9
______________________________________________________

Next on the playlist!

Here are the album reviews I've written since this past September.  Clicking on the album covers will take you to the band's music where you can listen to and/or download the album in full.  The hyperlinks will take you to my reviews.

Let me know what you think!

~*~

Engineers - Always Returning (UK)

Always Returning is a multi-faceted, philosophical puzzle with enough musical textures to keep both fans and musicians listening.
iamthemorning - Belighted (Russia)

The combination of Gleb’s classical approach to composition with Marjana’s singing ability produces bold, melodic pieces that are distinctly modern, yet extraordinarily mature.  Belighted is one of 2014’s must-purchase albums, from one of the decade’s bands to watch.


 The Phil and John Show - Cover Art (Canada)

Phil Naro is a prolific and diverse songwriter with a powerful set of pipes, and is continually finding new avenues for his creativity to expand.
KINGs - KINGs EP (Canada)

Phil Naro is a prolific and diverse songwriter with a powerful set of pipes, and is continually finding new avenues for his creativity to expand.

Bishop Reilly - Bishop Reilly (USA)

Bishop Reilly is a mature offering from a pair of musicians with a lot of experience behind them.  Their music is a conjunction of folk, blues, and rock: a vehicle for stories that connect to the human heart.

11 September 2014

Reviews, Pt. 4

Part 1 -- Part 2 -- Part 3 -- Part 5 -- Part 6 -- Part 7 -- Part 8 -- Part 9
______________________________________________________

Next on the playlist!

Here are the album reviews I've written since the beginning of August.  Clicking on the album covers will take you to the band's music where you can listen to and/or download the album in full.  The hyperlinks will take you to my reviews.

Let me know what you think!

~*~

Ghost Town Riot - Ghost Town Riot (Seattle)

Ghost Town Riot is a catchy, intense, and well-written album.  The band have a good sound, strong dynamic concepts, and deeply thoughtful music that doesn’t fit any conventional pop/rock mold.
A Formal Horse - A Formal Horse EP (UK)

A Formal Horse come with gusto as well as instrumental proficiency, offering a final product that does not disappoint.  This EP is their debut showing: a small collection of their ambitious work to date.
In the Presence of Wolves - Thalassas (New Jersey)

Thalassas is a fantastic debut album, combining vivaciousness with thoughtfulness, and melody with technical proficiency.  It’s young and fresh, and hints at the quality of releases yet to come.

Flying Colors - Second Nature (US)

Second Nature, Flying Colors’ sophomore release, is representative of everything the band does well.  Its balladic, singable songs are also technical and complex, characterized both by their boldness and their uplifting refrains.  This is one of 2014’s definitive releases.
The Pineapple Thief - Magnolia (UK)

Magnolia, The Pineapple Thief’s 10th studio release, is an album complex enough to be progressive, but simple enough to be accessible, and warrants a number of listens to truly appreciate its well-constructed layers.

02 September 2014

On turning a quarter of a century old (A Decade in Review)

25 is a milestone, though I suppose it's still too early for me to be overly nostalgic or begin thinking the best years of my life are already behind me.  Just for fun, I tried to recall some of the more significant details of my past decade of living, and found -- unsurprisingly -- that it gets harder and harder to keep them all straight the further back I go.

Last year, when I turned 24, Tara and I got our first puppy together, and it was this past February that we bought our first house.  We've been living happily ever since in quiet Woodstown, New Jersey, and are approaching our third anniversary in February of 2015.

Two years ago, when I was 23, I first got on a plane and first set foot outside the country on my first short-term missions trip to Roatán, Honduras.  That was also the year that The Twenty Committee released our debut album, A Lifeblood Psalm, to scores of positive reviews.

On Christmas Eve, 2011 -- not long after I turned 22 -- I asked Tara to marry me, and our wedding took place two months later on February 25th, 2012.  I finished my BA in English that same year, graduated Rowan, and began working in youth ministry as well, the joy-filled career in which I currently find myself and trust the Lord to protect in the years to come.  2012 was also the year XXCMTE was officially formed (building on the skeleton of Synaesthesia), and the year we road-tripped to Nashville to record the album at Radiant Studios.  I also started Häxprocess that April, and am looking forward to a fourth year writing this blog.

One of two performances as Revere, the first
incarnation of XXCMTE: equal parts jam, prog,
comedy, and prophetic readings from Isaiah.

When I was 21, Tara and I (impossibly) started dating again.  Steve also built me a Telecaster for my birthday, and Synaesthesia traveled 1300 miles in under 72 hours to Wilmore, Kentucky and back to perform at a Christian music festival.  Tara and I began our season of serving at Mercy Hill Church that year as well, building relationships with a neighboring church body that still continue to bless us today.

Years 19 and 20 together were a dark point for me -- certainly the darkest point of my life to date.  Though I finished my Associates' Degree at GCCC, transferred to Rowan to study English, and began working at JMT as a custodian all during that time, those were also the years that I found myself on a self-destructive track of emotional neediness, pursuing sour, sinful relationships instead of the only One that truly mattered.  And yet my compassionate Father ultimately drew me back into His loving arms, despite the choices I'd made.  Though the memories are painful and certainly nothing I would desire to repeat, God ultimately used even my period of rebellion to grow me into a stronger follower of Him, with a deeper appreciation for the limitless nature of His grace.

To the end, He is faithful -- even when we are so undeserving.

My 18th was the year Tara and I first dated, even after Geoff and I fooled her into thinking the ice maker at the Grubers' house was hooked up to The Clapper.  No, seriously -- we did.  She tucked her glass under her arm and everything.  Come to think about it, maybe that's why our first attempt at a relationship ended so quickly...  A fateful family vacation in Myrtle Beach also occurred during the summer of that year, and Synaesthesia -- my second band with Richmond, Steve, Dana, and Joe -- officially formed in July of 2009.  Overall, we had a longer, more polished run as Synaesthesia than we did as Seraphim, ultimately putting out a 6-song EP and building a sturdy reputation before the band lapsed into permanent hiatus.

My 17th year was the point at which I was finally capable of driving myself back and forth across southern New Jersey.  It was also the beginning of my final 9 months of high school.  I began my first job as a custodian at Pitman Methodist Church, a position that ultimately lasted three years and got me through my first degree without any debt on my shoulders.

16 was the year I got my first car and started my first band, together with my brother Richmond and best friend Jeff Van Valkenburg.  Seraphim was a typical garage band with big hopes and dreams, and was my first venue for writing music.  Altogether, we finished eight songs -- nearly all inspired by U2 and Springsteen -- and played our mostly original catalogue to receptive friends, family, and fans during our two-year run.

I did a lot more yelling than singing in those days.

I'm fairly confident I can't remember much in any chronological order beyond 15 -- not without consulting one of my mom's meticulously documented photo albums.  My 15th was the year of Katrina and the devastating 6-10 Eagles' season (following on the heels of the previous season's spectacular 13-3 record and Superbowl appearance), and was also the year we threw a surprise birthday party at the Winters' house for my dad, not to mention the beginning of my time at Gloucester County College (homeschoolers might be subject to a lot of teasing, but they do have the luxury to start accumulating credits early).

Ten years is a long time to sum up in so few words, but that's my past decade in a nutshell.  I'm not old -- not even close yet.  For that matter, the years are sweet now and promise only to sweeten further.  Even in these times of plenty, however, I'm encouraged by the promise God made to His children in Isaiah 46:

"Even to your old age I AM He, and to gray hairs I will carry you.  I have made, and I will bear; I will carry and will save."

Though we may grow older and weaker each year, God does not change.  His promises do not fail, and His faithfulness endures throughout all the generations of man.

02 August 2014

Reviews, Pt. 3

Part 1 -- Part 2 -- Part 4 -- Part 5 -- Part 6 -- Part 7 -- Part 8 -- Part 9
________________________________________

Next on the playlist!  These are all bands I've reviewed since the end of May.  Clicking on the album covers will take you directly to sites where you can sample or listen in full to each band's material.  The hyperlinks will take you to my reviews of their music.  Let me know what you think.

~*~

Soup - The Beauty of Our Youth (Norway)

Wistful, ambient, and achingly gorgeous, The Beauty of Our Youth is a soundscape of purposeful orchestration, recalling the days of childhood and adolescence in a dreamlike haze of retrospective emotion.
Psycrence - A Frail Deception (Greece)

Psycrence write song-oriented metal, with composition, fury, and melody.  This is a young band with a personal sound, plenty of ability, and the ambition to write quality music in the voice they’ve found.

Yossi Sassi - Desert Butterflies (Israel)

Desert Butterflies has all the elements of music that I love: inventive use of themes, blurring of genre lines, technical performance, attentiveness to melody, and solid performance. The pioneer of "Oriental Rock," Yossi Sassi delivers a memorable sophomore album.
Jeff Green Project - Elder Creek (Ireland)

Elder Creek is a great example of new-wave or crossover prog, and tells a story of memory.  A unique mix of symphonic prog, psychedelic rock, folk ballad, and classical mythology, this is an uplifting album with the power to entertain, encourage, and invigorate.
Paving the Labyrinth - Polyopia (South Africa)

Paving the Labyrinth are a practiced and technical band with a strong debut album.  Polyopia is a combination of technical post-rock and melodic prog with an experimental edge, and will appeal to any fans of gritty, complex music.
Anton Roolaart - The Plight of Lady Oona (New York)

The Plight of Lady Oona is unique and ambitious, and ultimately an impressive album – easily one of my favorite releases of 2014.

29 May 2014

Reviews, Pt. 2

Part 1 -- Part 3 -- Part 4 -- Part 5 -- Part 6 -- Part 7 -- Part 8 -- Part 9
______________________________________________________

There's probably a better way to share these than in bunches, but I'd rather not make individual posts for each review.  I want maintain this blog as a venue for personal expression as opposed to transforming it into a forum for music reviews.

Regardless, in case anyone is interested, here's my latest round of reviews (since April 3rd).  For classic prog fans, I recommend Rocket Scientists and Láquesis.  For fans of blues rock, psychedelia, and quirky hooks, Marblewood or These Curious Thoughts.  Backhand is a bit of an enigma -- Latin metal with progressive elements, but a distinct bend toward songwriting.

I've also got albums from five more bands/artists currently on the table: Soup (Norway), Psycrence (Greece), Paving the Labyrinth (South Africa), Yossi Sassi (Israel), and Ghost Town Riot (Seattle).

If you take a listen to any of these, let me know what you think!


~*~


Láquesis - Láquesis (Argentina)

Láquesis is a strong debut release, full of powerful ballads, soft instrumentals, and enough musical technicality to satisfy fans of both classic and contemporary eras of progressive rock.
Rocket Scientists - Supernatural Highways (California)

Supernatural Highways is an invigorating, compelling, and thoroughly enjoyable EP, well-written and well-orchestrated, commemorating Rocket Scientists' 20th anniversary.


 Marblewood - Marblewood (Switzerland)

With song structures that are loose, fluid, and supremely high-energy, Swiss jamband Marblewood compose long, blues-influenced instrumentals well-suited to the live performance.


These Curious Thoughts - What is it, and how did it get in there? (UK/Detroit)

These Curious Thoughts write powerful compositions - indie/post-rock at its finest. What is it, and how did it get in there? is unique, strange enough to beg additional listens, and profound enough to demand a few more.

Through the Turbulence accomplishes exactly what its title suggests: the album is full of frenetic solos and rapid sections, and deals with heavy thematic elements, but also showcases the musicians' appreciation for intense dynamic changes and quality songwriting.